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Football Poets Society: Cynical poisoned losing «.Il is not adapted to this mestiere». (Ryszard Kapu?ci?ski). This l’.idea-carrying: same sequences but mounted with various musics and identical cut interviews but in different points. In good substance, than the wind it died from the part where it wanted that it died. Fuor of metaphor, l’.esemplificazione of the difference between flags and banderuole. But also when something of Beautiful on the field happens - because from lì it comes, does not give the blackboard neither, tantomeno, from the spalti -, to who it interests davvero.000 places), adding to that one existing gradinate others two. In order to demonstrate it Roig it did not attend to expenses. Then Ranieri threw the bases of a plan in the long term that still today it is repaying with plentiful fruits. Because the time was given to it to work. «.Quando I arrived to Valencia I knew of having Romário and Ortega»., is usual to tell the roman technician. «.Non I knew Claudius López, Mendieta and Farinós. It lacked mezz’.ora to the end, therefore I left only one heads here and I said my players to hold ball and not to sink. The tifosi began to protest, wanted that we still marked. After the game, that 3-1 ended, I looked at myself with the president. It was furious, ce l’.aveva with me, as the tifosi, because I was myself ' seduto' on the vantaggio». In the ’.99, put in showcase the national Goblet (3-0 all’.Atlético Madrid), Ranieri makes fagotto. The disappointment in Copa of the Rey was a hard blow. To lose endured after the six eleventh of the titular formation, yielded clubs financially more solid, it was still more. But Cúper made spallucce and constructed one quite better square. The underrated Vicente Engonga toed make one's debut in national the Iberian one to 33 years. Valerón and Lauren, fish to you in Segunda división, exploded. In the ’.98-99, Majorca constructed on the refuse of large (the Dani, Romero, Iván Field, Marcelino, Soler and Ezquerro) arrived third party in championship and finalist in Goblet of the Goblets. To the Valencia, Cúper had to recommence from head. After a disastrous start of season (a point in 5 left), under the guide dell’.argentino the Valencia ritaglia a nell’.élite place of European soccer. In its first year, season 1999-2000, conquest giving show the end of Champions League, lost (3-0) still before touching l’.erba of the Stade de France di St. Denis, Paris, in the challenge fratricida (if one may use the expression) against the Real Madrid. In Europe, at least because the Liga (3°. and 5°. place) remains a inappagato dream. To Valencia, like everywhere, the placings attract compliment but they are not enough. They want Barcelona above all, in order to reconstruct, and l’.Inter, than to the usual it must rifondare. L’.uomo di Chabas, novello Frost, less chooses the struck way and is for that it is various. It loves the challenges and to win on the park bench nerazzurra is that most difficult one. L’.Inter di Cúper ' gioco', as it goes fashionable to say without to specify that what agrees in concrete, has not never had it. But of all the Inter post-Trapattoni is l’.unica, after that one of Simoni (Uefa gained, badge infrantosi on Iuliano), to having one identity. One risen of ' isolation play' for Michael Jordan of soccer. But Cúper a Ronaldo to full regimen has not had it, and of this, overflow of the overflows, gliene has also leaned the guilt. First of all the same Phenomenon, that it has placed to (caricatura of) society the historian aut aut: or he or I. Capocannoniere of the square was the centrocampista Ruben Baraja, 7 centers, taken from the degraded Atlético Madrid in order to replace Farinós. In double it number attacking the Sánchez and Salvador ' Salva' Ballesta (' Pichichi' 1999-2000, 27 centers with the Rácing Santander), went to us yes, but together: 10 goals in two. The amazing result rewarded the large one rimonta happened in the girone of return. After a suffered departure, from January in then the valenciani they lost once and they gained 10 of last the 12 left. The 2-0 outside was decisive on the Malaga to the penultimate day, that been worth the title it to the club and the confirmation to Benítez, on the graticola from beginning season. Real Madrid (square of the century of fresh nomination) and Sport seemed capacity outside), pessima the departure of the Barça and the happy European distractions of the Super Depor. If then us the accidents are put also, like in the case of the blaugrana or the biancoceleste puntero, then the road, already in climb, impenna like the Mortirolo. And once lost the technician confidence, prints, atmosphere and tifosi, to go back the china are hard. The flop of the former members of the ' Cúperativa' he is explicable, perlomeno in part, with various reasons. Gaizka Mendieta (class ’.74) to the Lazio has not gotten used and it has not been understood. To the Middlesbrough, responsabilizzato the just one but not crushed from the weight of the spropositata spold figure in order to engage it, is giving signs of resumption. «.Quando it began to train itself with the first square it was therefore strongly that it throwed the walls down, ». swears l’.ex centrocampista valenciano Roberto «.tecnicamente but it was modest. But in all these years I have not never seen a player to improve tanto». From the walls to ' muro' insomma, because Mendieta is not one star. In order to render they are enough one to it you wrap (the right) to cover and the dell’.ambiente confidence untiringly. Every a lot marks, even on rigor, enough chiedetegli not to make the Beckham, the Mancini or the Matthaus. With Zaccheroni it has had some chance to play with continuity, and some timid progress has been looked at. A little professional attitude (eufemismo) punished with l’.esclusione dall’.undici begins them, measure adopted from the technician to mo’. of monito for l’.intera troop, already recidiva. Cristian Alberto Kily González (’.74) has gone via from Valencia in a moment of clear bending (Benítez used it less and less). All’.Inter, made the debite proportions, would have been possible with a Paschal Giovanni whichever. As it is said by now of who seems to have given the best of himself, a great future behind the shoulders. The feracious determination of capitan Mendieta and the class of Gerard have been replaced from the dark job of faticatori like Albelda and Baraja. Today they are national and, especially the second, that it has a good ones feeling with the goal, potentially they are worth million. But once scorporati from the mechanism, capitato to their predecessori will be repeated how much. The risk seems more low for Aimar. Benítez, two Liga won in three years, has been more fortunate. And in order to grant the lusso it has changed the structure of the square. L’.impiego of a technical fantasista but leggerino like ' El Payaso', the Clown, has demanded a various order. In order to favour some l’.estro, the successor of Cúper has constructed already cited double Baraja-Albelda protection, with Rufete to right and l’.ottimo Vicente on the left pushing on the bands. That Valencia asked the terzini to go up a lot above all (eternal the Jocelyn Angloma to right and Amedeo Carbons on the left), this is taken advantage than external more pure. Un’.altra difference regards l’.applicazione of the turnover: Rafa of is a fan nearly maniacale, Héctor considers it one risen badly necessary. Cleaner instead the distance between the preferred philosophy of game from Ranieri and that cúperiana appears. The first one loves fraseggi and superimpositions. in England they call it ' pass and run', from we ' from and vai', but the substance is that one. To Valencia, the group already was accustomed to play in speed, logical that also the ' tradizionalista' Cúper has been adapted in part to the material to disposition at least. In all probability l’.argentino it is not neither brocco neither a phenomenon, but simply an honest worker with merits and precise limits. To Valencia still they remember its epico crash with Claudius López, sent in vacation for one week to cool the hot spirits in a regenerating bath of humility. It has always believed in a module: the 4-4-2, with sporadic concessions to the 4-3-1-2 in presence of one mezzapunta or of a pure fantasista. In defense, to the times between strongest d’.Europa, it wants marking experts (Soler and Olaizola in Majorca, Djukic, Pellegrino and Ayala in the Valencia). Perhaps it will not be ' vincente', but ovunque it has gone has been regret. To losing it does not happen, to the common places neanche. They are web editor to SKY Sport and I collaborate with Sport Guerin, American Superbasket and the from Bologna writing of the Republic. The Tir and king Elvis, attention to those two Clarke, l'.uomo that it lived two dreams Cerci & Castillo: attention to we two. He loves the English fight, says arch rival. Arsenal-Man U, un'.altra run to two.

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. of citations, with the observations from Rune Jonsson. on this spread it gives a limited image of attivit?i the Ture Sjolander in the zone of the visual limbs. Photographers would not be enough to render all the residual ones of the mechanical pruning. Ture Sjolander has made its debut like visual artist with one visual extension in its citt?ata them Sundsvall. text for the catalogue of the extension. We cite: “.lle resources of a single one photographer are not affinch?li experiments enough are conduct first study for music electronic given the occasion to explore this no-man-earth between theirs frontlines. photographic clear paintings of the extension were approximately lle braces of the meters squared, press in.bianco and black of the diagram, produced with the aid of i. Some of the images were to colors, fact oxidizing the silver of the paper from the photo with the aid of a warm plan-iron. Kurt Bergengren has see again the extension in the article photographer, but a photographic artist and that what?uovo approximately its images?n first place the technique that it uses. Sjolander indicates many new distances - bringing back the art of fotographia to the relati to you photochemical experiments pi?Sjolander?resentato deepened and in relation to this, it has exhibited its on the ventinovesimo of March 1963: “.Si calls a photographic artist, an artist and union photographer of the diagram. ?riuscito with happening - sound like a dream - to join the photographic methods with free creativit?rtistica technological platform, Sjolander ahead takes them on the travels to the realt?ma along other roads that those we have before print. Ludvig Rasmusson has written in the Gaudeamus paper from the student: “.Variando its conventional senses to express from one painting to following, not extension one lack. Not ritenge simply shape of personalit?ell' art, than?ostituita in making is similar of following paint job that one and wishes to force the visore to observe beyond the shape, towards it had perceived the feeding of the word in the art world and had reflected on the so-called nostalgic feeding of fotographia realistic over the papers from the reading of people and the watching TV photo in which it has had images of s?reso, has made a series of ritratti taken. The extension was a protest against “.la word and the so-called realt?otografica falsa„., second the introduction (written from s? The extension was debatable and much written?tato to this written: “.Tutto those who as and the well-involved photo-art look pi?icino to this extension is puttinges in guard seriously against having one enough. It offers urla to them and grimaces, faces crosspiece-eyed and studies of horror of the meat. But all a those who?nteressato in seeing photographer to enter in the cultural debate current, they would not have to neglect to see that “.siete.„. The extension has a tact a lot of relative liberation to it nihilism leaves a press burning on your hairnet and the images. Your eyes begin to see anew. Fencing of the police of the Adolf?tato Fredrik to Stockholm overflowed with the telephone calls from the hosts upset. sergeant?enuto to visit, but could not find qualche.cosa immorale approximately. Ulf Thoren has shown the parts of the extension and Sjolander has coined the expression “.che wishes to exhibit, not to inhibit. During the two weeks that the indicated?tata extension, approximately 10. come to see them, many of they have attracted from the presentation della. to the new shapes of distribution for the visual extensions television and of the external extensions, one would have to be able to attract pi?spiti. meantime, the?tato debate maintained alive in the papers. Walden has written: “.…. the artist has caught up its objective, gi?uando reacts, when something happens between we and the photography. Ulf Linde, between year of the art of I crack and one brace of the months after the new York-nights, all?ncora possible something to happen in the zone of fotographia. Rotogravyr has published a so-called expo-book, with the images from. “.Le its images make the greater part of that what we have seen last year, to the extension Swedish “.gente ambitious like approval from 11 photographers, „. sembr. “.Siete states fotografati„. you are one the tried ones to you pi?ravest of a blow, one of the movements of opening pi?RASSETTO, that it has never hit. Sjolander had produced to the first model of one fine-art extension. Ten tabelloni for the external postings of The Manifest to Stockholm they made part moreover of the extension, like pure directly for this?tato means tried with to the producer Kristian Romare of the Swedish Radio and Broadcasting. faces grimacing of the photographies that gi?rano been indicated on the censured television however completely?tata from the administration of the societ?i. A lively debate has followed, discussing the decided emissions of the authoritarians about own initiative, the moral and the censorship. Kv?sposten of paper, Sjolander has asked: to “.Perch?are the images they must be translate in words. “.L' appearance of the television of Ture Sjolander?aratterizzata from humaneness warm and a humor sense bizzarro and uproarious. relative characteristics “.pi?cioccante„. one is made up of great part of music of the Vivaldi, illustrated from a small boy who is selecting its nose. However, than what?ealmente the greater part of shaking?l sense in which decided of own initiative and name “.della people svedese„., they cancel the program characteristics, which the film of the TV of the Sjolander. thought to leave the opinions and the values opinions of people are developed to liberations?le and hinders all the tried ones to you to move in all October 1965: “.Sjolander moreover it has the opinions and temperament a social product the film kind that I wish to watch - and to produce. Nyheter: “.Sta simply verifying our attitudes regarding the fotographia, arranging it in the unexpected contexts blowups on tabelloni for the postings and then them filma, the result?ealmente challenging: that it revives of the expression they cannot we find the menzogne lessened under the cobweb old of the conventional sights on. Broadcasting has not been able to give some public motivation for the relative one. Although the numerous tried ones to transmit for radio at least the part to you of the program, then the director of the societ?a left its secretary to announce (in a letter) to Sjolander, than has not wished to have a telephone conversation on the matter to grant itself to produce one new film how much far away one could lengthen the limits “.del morale„. in societ?Esibire - in the real meant one of the word - and therefore to use the resources in television like means, was inconceivable. had (like Sjolander) the models photographed knots of the real academy of the fine limbs and images ulteriorly taken of the faces sfrenatamente grimacing. transformed its photographic accumulation with one new technique of the technique of the silk-screen, had represented the photos on burlap of hemp. Ci?ra a traditional and social acceptable sense to introduce its photographic material - a material that would have been. The images have been made in silver and white man, than?n excellent sense of description of the illusion to describe to yours just attitude in the comparisons of realt. numbered and signed, exactly like the social conventions to ask to for the diagram and the burlap of hemp - lured outside the critics us this time written on the ventiduesimo for January 1966: “.La technical it has impersonality of the schiocc-artists the Americans, but in the reason, us?os?anto pi?nteresse in. The moving images of this extension are those where you see these sended gigantic photographies on a sure one wall-I space empty outside over the witness of people - the people that are sliding fast beyond on the way like the anonymous shadows, without to react to new and the elements of. Being in a such haste, they cannot see approximately these images, than they remember it of the documentary film “.l' occhio„. that?tato indicated on the film theatres it determines years ago to you. Annagreta Dyring of the Popul?Fotografi bucket, resumed that what was happened in the fotographia Swedish, she has written this between the other: “.Ture Sjolander were the instigator of a recent event that has caused the great resonance in the world of fotographia Swedish. The grimace in the?rasformato image in in the expression of a defensive provocative attitude in the comparisons of a world perhaps too much in great expectation around we between the image and the spectator bloated, even if it had to be constructed give. It has given an other angle to the democracy of the traditional photography and the worn out senses to introduce the things had obtained (at least do not import retrospettivamente watching it) if the ponticello it were constructed from deep respect, accepted?tato it even if consisted. She was in some way surrealist, with one. The main thing was of giving to the visori something. The putsch cheeky of the Sjolander against thinking standardized and the conformism photographic have preceded - in the relative shape pronounced - other trying to make the same thing in this disturbed country the obsolete senses to you to think in the field of the visual art. Nils Erik Baerendtz, called Sjolander to its for one production of the better television and nemico„., the artist Bror Wikstr?a to work with he on the new. This production has provoked to something that made Sjolander gi?vesse to the spit in its previous film, cio?na dissolution - one. He was something of a protest against the image in hour and then it characterizes the television, has defined the art work come.„. However, the images of the Sjolander have been put in evidence. Its entire order of the day?ostituito in the trasgressione of the conventional slight knowledge of the image and in the exploration of the innate resources of every image for means of different techniques. They have been signed and numbered been from. Those works of art are introduced been in series of TV-programs from the hundreds of the different galleries those works of art simultaneously. Wikstr?e of the Sjolander, “.TEMPO, „. was broadcasting six months before che.„., is produced for the television, than the relative ones they have fastly poich?rodotto in the different places of the world. Nam.June Paik (sopportato in Korea), has applied the same methods when it produces its systems, after having Sjolander- Wikstr?mostrargli “.TEMPO„., is in person who in the broadcasting on the television museum of modern art to Stockholm, suggested that Sjolander would have to make question for one concession of the artist of government of SEK 6. Written Hult?ha: “.Negli last years, Sjolander it has, showing the abilit?randi of inventiveness, worked to the plans that re-unite several different, but to the expensive actions of job. Poich?e its ideas are between pi?nteressanti those that appear in the last years, highly would suggest them to London for?ndato Sjolander, to Paris and Amburgo and have obtained invite to produce one new part of job from the French television. With the foreign correspondent of the paper from main morning Dagens Nyheter, Lars Weck (who was studying then art-plan on large-scale of means with a public of approximately 150 million. Weck has written in Dagens Nyheter on the quarter of February 1967 (before the beginning of their cooperation): “.Ture Sjolander have not used its first one sejour along to the foreign country in order going on wide known monuments of pilgrimages, less that you considered the television one in order to work directly for the television, both perch?ende to every domestic person a gallery and perch??ll' artist many possibilit?Broadcasting Corporation has not shown that all the fine interest is to the French companies that German of the television had invited it to. The determined Swedish TV-production?tata from Kristian. Several European countries have transmitted for radio the production completed, than moreover?tata transformed in different the graphical productions on immense scale, l?rano LP-record “.il monumento„. with Hansson/Karlsson, the book “.monumento„. with an introduction and the technicians of the TV (between others), l?rano extensions of the gallery and external. Other artists have been inspire to you from the material images and colored visual “.dal monumento„. in the oil-color and several woven of you weave them. “.dal monumento„. they have been indicated to. - one of the art critics us respects you of Europe - it has written that unfortunately it could not assist to the entire event because of a travel in the South America, but has had to deposit itself for the last days: “.Ma not to improve. The systems of the Sjolander have hit it with theirs. Moreover they have been hit from acute its instincts, its use poetic of the technology of mass-average - a liberation iconographic to the level of technology of the information - the all in the language of the masses works of art of the Sjolander, that they join the art and the technology, are transformed in in an attempt conserving our survival poetic. happened a true humanitarian and or rather humanistic, in the modern sense of. Sjolander-Weck has formulated a manifesto kind in. Karlsson to Stockholm): “.La art gallery must come to people, obviously it is not working the contrary. At least not if been asking the art for being expressed to you to pi?i one manciata of people greater part of the popular galleries, or the excellent role of the modern museum of the art, must be recognized that in no way to up to now pu?ompetere to means which the television for range -?l our way pi?fficace of. The greater part of people accosentir?he the?stremamente effective television, but in television of the circles of art?isto like nient' other that pubblicit?acchina. programs on an extension, explaining and attractive the hosts to the source in if, that it consists of the exhibited objects de facto. Little people?spetta for accosentiree that the television in if?n half and a gallery for the attended visual artist of new from the myth of she originates them, “.la cosa„. that?#147.l' art in if a concession to this same myth, when the artists of Multiart are asked to sign an edition of 1/300 of the copies to print, cio?egno of the machine a part produced in series of the art worked directly for the screen of the TV, with electronics like your brush, nobody probably would think to having artists to travel around, signing all the million video of the television. Sjolander, with 600 others million visori, has studied the transmissions via. This study has provoked one new production for the Swedish.„. People hour have had color TV and for an artist new part of job has seemed natural to comment those historical events with one. A new made?tato agreement with the Swedish Broadcasting Corporation, this time with Sjolander, Bror Wikstr. Nilsson has transported a recently taken unit of the photo of NASA and from the seen inner part like of the human eye of the image contributed with the metraggio of the better film from all theirs. The final comment of theirs “.spazio-opera„. was. The topic of the production was two poles: one, that we call the space (and what we do not know cos?anto approximately however) and the other, what a person records through the eye (and that not. Us? vanit?ell' the man, was that “.spazio„. to that the artists have referred manifest good-selling all over the world they have been produced from this. This time that was working with the ordinary documentary images, nothing published in several countries, which the United States, Canada, United Kingdom. Chaplin “.nelle images, „. was idea of Ture Sjolander and like a compensation for he that she leaves they to assume the direction of and the mockup of the book, the family of the Chaplin has ordered an edition of a graphical folder of art that contains 30 different. The cartelle they have been signed have been signed and numbered been from Sjolander and are signed been from Charlie Chaplin. Sjolander has interviewed is Chaplin that Garbo and he calls those two stelle.„. ?come such, that one has been come to contact of from their million publics people. After in the line for Sjolander. of the?tata photo only used for the reproductions up to now electronic adaptation of the strip of the film, second the principii similar to those that previously it had used?ossibile hour to generate the three-dimensional sculptures with technology of the hologram, in a free sense and. This new sense of generation of the limbs visual?olto expensive and therefore “.lle resources of a single one photographer are not affinch?li experiments enough are conduct wide and deepened recently it has inaugurated relative the first study for music electronic. When photographers and the painters are given the occasion to explore this no-man-earth between consecrated theirs frontlines with the citation that has opened this accumulation of citations, cio?l that?wind Fahlstr?ha written approximately Ture Sjolander in 1961. From the Swedish bucket of the cultivation transmitted for radio only on one rabbet, in in.bianco and black. The thing rovesciantesi that had been indicated up to now, was for Oscarsson that removes its longjohns in the program Hylands H?a of entertainment of the family and this has caused a outcry. It was in those ponds calm, in a moment in which Myrdal January it had still not been hit on the head with the stick of the billy of the Vietnam, than the artists Ture Sjolander and Bror begun Wikstr?hanno to experiment with means of the TV like art-shape to produce 100 litographies, when you to pu?istribuire your work of important art it was the protest against the traditional use of the technology of the television in if and to transform in a average-development a free participation and the necessary support realizes their ideas made a first attempt to produce the art of the television, directly for. „., she was gi?elle TV-guides, but completely?tata censured through the sense of societ?i the Broadcasting. “.Mai they have not given some valid justification to me for their censorship, „. Ture Sjolander says today. Perhaps?tato censured perch?veva photographed the models knots from the angles grotesque and people sfrenatamente. With the longjohns of the Oscarsson, this supplies us a free image of how much far away could go in the societ?vedese of 1968. alive “.Ture in one wood house. ?circondato from the recinzioni, the sculptures mysterious and the threatening signs of the guard-de -- dog is hiding via in its nest, while dreamming of happy years 60. Ture seems fresh and door the iron dressed ones well-covered, observing. Not?lencato in the directory telephone and?stremamente difficult to obtain through to its machine of answer. Sweden and probably internationally, that it has realized possibilit?i the video and of television for the art, cultivation and have advanced the communication. from 1966, it has wished to distribute to its “.video arte„. (even if the invented word still not?tata) via the satellite collaborated with, between others, you wrap it Hansson&Karlsson of the cliff. Author on the books on Greta Garbo and Charles Chaplin. of Video-NU-Videocentrum of association (with 150 members and fifteen members visionario, Sjolander has a bunch of other plans that come in on trying to obtain the government that it constitutes a bottom for so as to to pu?ocumentare the public art in Sweden (or the volont?DONALD' s?l guarantor. He wishes not to render to a film from the book of the Lundqvist “.tabacco, no Hallelujah„. (gi?a bought the rights of the film from the author and a signed?tato contract with the M?n company of. It is planning a travel in New Papuasia possibilit?el half of the TV and of relative feeding to connect with has found an associate in Bror Wikstr? that posterior part was an important talent to the real academy of the fine limbs on that same people that call it a talent. Become Wikstr?sono inseparable and is followed in no steps, has gone beyond the art of cracks, that it was then the art shape pi?strema. of I crack in the face, meaning that we have wished to use those tabelloni for great the external postings and spaces of the wall in underpass arranges as an example, that has inspired the artists of cracks and has been inspires to you to use this space as art space, for the enemy scopes at the same time, we was not working to a completely unexplored topic, we has worked the day and night for one and one met?i years with a new one to manifest, on the television, the extensions of the photo and on. Memory of Bror to make me pubblicit? between announcements for the galleries in Dagens Nyheter: “.Galleria of thought - extension esterna„. in Kungstr??en (the Gardens of the king) in citt?e Stockholm. Kungstr??en?empre one thought gallery, the image that. Bror hour has left the art world, he not to pu?ndare of new to the painting, he not to pu?irare behind the time bijouterie-pittori„. they hated perch?ra they up to now, is. My attivit?urante those years were one. The art critics us were writing via, expressing years ago have introduced a complete presentation approximately a video study for search, formation and production (?tata posposta for the years from the Council of art of Sweden, that he is protesting approximately how much prepared badly we are today. Council of statesmaship for the public art, in order artistic. To the head of the Communist Party, the dressed ones were a covering of the code category of operation, to the head the Boman of right of the party of the wing, the dressed ones were Sunday-better shirt and a dressed gray. (Ture is not taken care of the master of “.Conosco that?ormale and acceptable what in the societ?d at the same time is bored with it catalogue, we can add to that Ture Sjolander, if anyone, can be calls the father to you of video international Swedish art to Stockholm, held from February with March, are successful to convince Sjolander in order to come l? to speak about as all it has begun in. Ture has revealed, immaculately dressed in a dressed white man and one. Ture has begun saying: “.Abbiamo wished the artist really in order to exhibit, in order not to inhibit to the museums and the galleries past of the festival, Ture Sjolander has shown the program of the TV that had been interrupted in 1965, on a large screen of 6x7 m. the exposure approximately punk American and videos underground of the today?ella the same phase that the literature was before that the invention of the Gutenberg of the pressure of stampa„. this is one typical citation gives. It explains: “.Prendiamo an artist which Ulf Rahmberg, that he paints symbolic paintings with satisfying very political. on one painting, using the pi?ostose burlap of hemp and painting to oil. Then it sells it to a sure cursed rich dentist that it closes it in on in. When it has important symbolic cos?essaggio, it would have to paint on the hygienic paper with the varnish of The Manifest and to distribute it on the postcards, The Manifest, the video and the television equally how much the art in if: to equally communicate approximately the?mportante communication how much the way of the communication. the not?nteressante Lisa-painting for if, it?' interaction between the people who watch the painting that?iventato interesting interested in the painting, the relative feeding of the attraction ended after. Fahlstr?la has put this sense once: to “.Appendere in on a Rembrandt on your wall, it mescoler?entro with the model of the linoleum in the limits of a time of weeks an illusion, than the relative?ivo and continuous value and that you can watch them anew a day after that the seguente…. the people that to pu?perimentare that one you must. 1976 and when we come to contact of making Sjolander in part production of the Fahlstr?sta hanging on the walls of one of the galleries pi?retentious de. We have watched the extension and we have thought a po' vertiginous, or. The protests of the Fahlstr?contro the war of the United States in the Vietnam have been sold in order approximately SEK 500, then are speaking about the graphical press. “.In first place: Not creed that tried Fahlstr?abbia to express a protest, he I have connected one modern series of eventi…. It works around in its house, finding the residual ones of the mechanical pruning of the newspaper with citations in order to support its. They are sure that to pu?ssere a difficult bastard. - Once that pits invited to speak about the public art with some old councilmen of public agencie. I have suggested that I would make something with the digital prints great them in concrete, in which rabbets of the digital print them they would be tester of “.Bene, not?he an amusing idea, „. that one said of the old councilmen, “.uno it would have to hope that then it has been of being the digital prints them of the mayor of the citt?alimentato one in on and I have paralyzed from the entire thing, from the disrespect of an idea. I could not see some development. Michelangelo has made, that it was pushing the axe in earth the councilman and the opinion: “.Era my concept, therefore sar?e mine moreover?overnata from desires of the politicians. “.Voi bleeding artist, we wish them to paint a laborer that sta.„. Cos?li artists is adapted and become. There are 400 randelli and one says that hanno.000 members, altogether on the credit side Copco atlas, ICA, Honeywell Bull.?una what of divertimento for that all the day is based their calculating screen, obtains a po' of condition if they can make a sure art-thing nel they free time for theirs raffles of art, has had pi?eglio to be some thing of. The artists hour are inform you of this, cos?erniciano something that satisfies the majority - instead failing. Translate from the Swede from Linda Henriksson. represented artist?i?uono in ours. Chosen secretary and member of the edge of the national association of the professional Swedish visual artists -.O- Konstn?rnas Riks - with beyond 6. Elected as the first Director and Chairperson of the Board, while Curator/ Administrator of the former Swedish National Artist Organisation, VIDEO-NU, Stockholm, an Art Laboratory for new electronic technology financially assisted by the Swedish Government and the Stockholm City Council (corporate 200 individual and 15 members). China Changchun City, International Invitation Exhibition of Sculpture - Permanent installation of two-of-a kind, 3 meters marble-sculptures, at the Square Cultures. County Council, Falun City, Sweden. public artworks in Sweden and in addition. international corporate and. Royal Swedish Academy of Fine Arts tronic Artworks since 1966 and for the development of art&technology, ' video-art'. The Ministry for the Arts. for Swedish Cultures - Video&Television. The Swedish Government Ministry for Arts, Project Grant for Medium New for Arts, Project Grant - experimental photo- graphics - lightpainting. Linkopings Studies in Arts and Science, Linkopings University. The Collection Of The Qingdao International Art. Winter/issue, 3 full pages) - Fine Art Press Pty fine Ltd. to tune the relevance of art'. UK, ' Video Art at New Castle' by Mandy McIntyre. cover art: ' Ready Maid/Pop Art'. articles in Europe, Australia, China and USA have been published as well as. installations/exhibitions) by writers as: Pierre Restany, Paris?vind. Lunds Konsthall (famous Regional Fine Art Gallery in South Sweden, Lund. exhibition in Stockholm on billboard space of Monumental size. Invited to exhibit with contemporary all -. The Galleries, Biddick Farm Arts Center, Washington Tyne and Wear, New. Selected group exhibition/installation incl. Electronic Art, International Exhibition incl. International Video Art exhibition KULTURHUSET Stockholm Sweden. ' Swedish Contemporary Art' - Six months exhibition. installs-tion. ' Body Paintings Papua New Guinea' - ' The South Pacific Festival. Gallery Umbrella, North Queensland, Australia, 1991. International Sculpture Invitation Exhibition in Changchun, Jilin. Permanent installations of stone sculptures at the Cultures. 1967 long voyage en a Amerique du the 5 South of m' to permis de visiter ` eme Biennial de Paris, ou the exposait, qu' to extreme the end de the manifestation. Mieux vaut tard que jamais. J' to the ete frappe par les oeuvres de. Par soon instinct sur, son usage poetigue medium DES donnees technologiques DES mass: une liberation iconographique au niveau de the technologie de Elle nous concern tous, elle east plus historique que histoire, plus sexuelle que the sexe, plus criminelle que crime, plus objective que n' importe those processus of objectivation. liee aux phenomenes of alteration ET de transformation DES structures visuelles. Cette alchemies de the vision to trouve knows pierre philosophale. DES definitions theorigues ET animee standards de the image s' east mue en vif-argent: mercure DES distorsion libres. optique par rapport au phenomene mental apparait codicils magistracies, the cures of hygiene. Elle bouleverse nos habitudes de perception reflexe, elle stimule notre conscience ET notre gout, elle nous associe au destin structurel de. mutation, ou the peril majeur consists sans doute dans mecanisation passivite DES esprits ET the generalisation of une sensorielle, of modernisme-reflexe saturant a individu, the enterprise collective de, associant art ET technique dans the but of assurer the survie poetique de notre vision, east une enterprise pleinement humaine, que dis-je, humaniste au sens plus modern du terme. animation the Swedish artists TURE SJOLANDER and BROR WIKSTROM to are the. Their television art programme ' TIME ' (1965 - 1966) seems to be the first distortion of video-scan-linens rasters achieved by applying tones from wave. For almost ten years they have been using electronic image-making equipment for to non-traditional. It must be kept in mind, however that SJOLANDER and WIKSTROM have to traditional and solid artistic background. relationship between the video artist and his hardware to that between Ingres. It should be added that real artists like SJOLANDER and WIKSTROM have to natural relationship to any image-making equipment. that respect they differ from most cameramen and tape makers and they may as back loads day as pioneers in other fields of art. surpassed the limits of video and TV using the electronic hardware to produces pictures which can be applied as prints, wall paintings and. new possibilities to other artists, they to are not working halo on to monument of. Royal Swedish Academy of Fine Arts has decided to support SJOLANDER and WIKSTROM. borders between the art forms to are constantly being redrawn or abolished. arrange their poems as pictorial compositions or record spoken sequences of sound which can hardly be distinguished from musique concr. to are able to build to complete composition around the manipulation of to spoken. Artists sometimes created pictures by striking off newspaper photographs or mixing conglomerates of discarded objects and painted areas into something which is neither picture nor sculpture. mobiles in motion in the constantly changing light effects on to photography and painting is not longer clear, either, and it is easy to. Tingu, the creator of mobiles, started out by making to form of reliefs with moving parts, powered by to machine placed at the. After to while Tingu? began to wonder why he could not equally well show the play of cog wheels and driving belts at the rear and let "machine" and "shapes" become to united whole. have asked themselves why the action of light on photo paper and the development baths could not become to creatives process comparable with the exposure of to motif —. why room work and darkroom work could not become. Among those photo graphic artists, as he calls them, who feel dissatisfied with the dialectic of the traditional photographer’.s relationship to his motif: when he searches for his motif, he is the sovereign. At the very moment that he touches the trigger, he has become enslaved to the motif, without any possibility (other than in terms of light gradation) to I give what painter does —. reshape, exclude. does not have to be disrupted by eliminating the motif. needs to remove the limits to what is permitted and what is not allowed. the copy of to photo remain in the water bath for an hour is allowed (if you want. But leaving it to there for to couple of days is the right thing as well (if you want to let the motif diffuse into deformations soft and silky. Scratching with to needle or to razor blade is making accidents with. chance of manipulating to figurative or not-figurative motif by copying different pictorial elements into it, by enlargements which elevated previously imperceptible structures to the visible level, even up to monumental dimensions. The tension between scratching lines of light into to developed (black) negative the size of to matchbox and enlarging it on the Agfa papers the size of to bed. This is to where the photographer has at his command tricks of his art which the painter lacks, or at any installments seldom uses. But on the other hand, is the photographer able freely to experiment with the colour. brushes paint on to the negative and makes to colour copy. Sj?nder, brush, pour, draw etc. background copied on to it —. with water, developing or fixing thiosulphite sodium solutions, ferrocyanide of potassium and other liquids. houses the result is to single, ounces-only, art work. achieve to tempered and melting colour white scales of, sepia, ochre, thunder cloud grey, verdigris, silver and possibly also certain blue and red. seems everything still remains to be done —. but one single photographer’.s resources to are not enough for the experiments to be conducted widely and in. Sweden has recently inaugurated its first study of electronic music. Explore When will photographers and painters be given the opportunity to this no-man’.s-land between their Time-honoured frontlines. Is not the glossy, non-handmade character of. People have argued in to similar way about enamel work, but that technique is now recognised as totally and completely of to kind with. If we adjust the focus of the "conventional painting concept" when we to are looking at photo painting, we will perchance discover that in its singular immaterial quality it can possess new and evocative "Commissioned by the National Swedish Television. exhibition on giant bill board in the City of Stockhom plus indoors exhibitions at Lunds Konsthall and Gavle Museeum among other Gallerys. Represented as an installation 80 dia/slides projected on canvas purchased by Pontus Hulten at Modern Museet Stockholm 1966. (Same technical system was later used to created MONUMENT one year later, 1967. ELECTROPHYSICS, NY, USA dated March 12, 1974, below *. process is similar to methods used by Nam June Paik and others, loads years. Nam June Paik visited Elektronmusic Studion in Stockholm July/August 1966, during the Stockhom Festival. "Visions of. Static pictures from TIME was demonstrated for Paik at this. To rich documentation is available from the main news medium in. Parts of "TIME" was planned to be send via satellite to New York, but the American participants, E.s and Billy Kluver' s biased USA history page from Aug. 1966) "completed TIME" is the very first ' videoart' -work televised as an exhibition/installation statement, televised at that point in ' time' for the reason to produce an historical free records as well as an evidence of ' original' visual art, made with the electronic medium - manipulation of the electronic signal - and ' exhibited/installed' through the televison. Other important factors for the creation of TIME was our awareness of the fact that the "electron" was, at this Time, the smallest known particle and that all traditional visual art, up to this Time was created with light - material/colour reflecting the light - (lightpainting) and the description of our new concept should be "Electronic painting". associates launched the term "Machine" art as an attempt to describe the Time. Pierre Restany was using the term "Mec Art", later. (Soundtrack by Don Cherry, USA) Paintings on canvass and paper was made from the static material, and in silk-screen prints, for to large numbers of Fine Arts Galleries and Museums 1966, ironically in to ' limited edition', signed and numbered by the artist. Ture Sjolander/Bror. (See National Museeum Stockholm, Sweden). paintings televised in 5 European Nations. France, Italy, Sweden. The work surpassed the limits of "videoart" - to word first used in the beginning of 1970 - 73 - and was developed into an extended communication project, involving other visual artists, by invitations, multiaverage artwork including the creation of tapestries, (Kerstin Olsson) silk/screen prints on canvass and paper - first edition, by Ture Sjolander/Lars Weck, posters, and an LP/Record Music, (Hansson&Karlsson) and loads years later paintings on canvass, (Sven-Inge), and to book among other things, exhibited in several international Fine Arts Galleries. Televised 1969, in direct connection with the moonlanding project by. electronic original painting where the electronic signal to where manipulated. Described in average as an Electronic Space Work. Space in the Brain was to creation dealing with the. "space out to there" - the space in our brains and the electronic space, (in television) Contemporary to Clarke' s 2001, except that the Picture it self was scrutinized and the subject, and focused, in Space in the Brain. Static material from the electronic paintings was worked out into other medias and materials. tapestrys made in France among other objects was made in large size, 3 x 2 meter, for Albany Corporation USA and for IBM, Sweden, as in "TIME" and "MONUMENT", see above. posters was produced, and world wide distributed, by Scan-D?r Upsala. Swedish National Television, Stockholm, Sweden. about the history of video animation. From literature avaiable the gather that to videofilm program, "MONUMENT", broadcast in Stockholm in January, 1968, was the first distortion of video scan-linens rasters achieved by applying tones. historically - that the would like to obtain more detailed documentation of the program and of the electronic circuitry employed to manipulate the video. Understand from your the New office York that to there may have been to brochure or booklet published about the program. The will be happy to pay any expense for publications, photcopies or other documents about the program and its production - particulary with regard to the method of modulating the deflection voltage in the flying-spot telecine. technique in TV production here in the United States, and think it will be interesting to give credit to your broadcasting system and personal for. the magazine was never reported or later presented after receiving the vital information from the Swedish Broadcating Company, by. Stockholm exhibition of portraits of the King of Sweden made with advanced electronic techniques have been struck by the connection between this new type of image creating and the music-and-light art presented by the The Pink. Think that your work could and should be linked with the music of the The Pink Floyd in to television production, and the would like to suggest that we start arranging the practical details for such to production immedialtely. With all his experiences from filming in the USA and to elsewhere also feel that the Mr. man tp help us made the film. We form conceptions of all the objects of our experience. talking to each other our conversation emerges in the form of descriptions. that way we understand one another. The world in image and the image in the world: at the same moment, in the consciousness and in the eyes of. The true fines-images is not substance but process-interplay between people. old concepts ", said the artist Matisse. For the first Time it showed us the object freed from emotion. for the first Time the image of the earth from the outside. representation for the transformational and constructional process of depiction, and Marcel Duchamp shifted our attention to the image-observer. That, too, was perhaps like viewing to planet from the outside. Meta-art: observing art from the outside. That awareness has been driven further. More more The function of an artist is and becoming like that of to creatives revisor, investigator and transformer of communication and our awareness of them. widen the circulation of artist' s individual pictures. should not, of course, stop the mass production of works of art: it should proceed towards an artistic development of the mass-image. has compelled TURE SJOLANDER and LARS WECK is not I know much to technical curiosity as to need to develop to widened, pictorially communicative. They can advance the effort. But to here they have manipulated the electronic transformations of the telecine and the identifications triggered in us by well-known faces, our monuments. In our vision the optical image is rectified by. The electronic translation represented by the television image contains numerous deformations, which the technicians with their instruments and the viewers by adjusting their sets usually collaborated in rendering. uses them as instruments, renders the television image itself visible in to new. And suddenly to there is an image-generator, which - fully exploited - would be able to fill galleries and supply to entire pattern factories with fantastic. SJOLANDER and WECK have made silkscreen pictures from film frames. television, screen images moves and effect us as mimics, gestures, convultions. With remarkable pleasure we sense pulse and breathing in the electronic. The images become irradiated reliefs and contours, ever changing as they to are traced by the electronic finger of the telecine. MONUMENT, SJOLANDER and WECK have demonstrated what has also been main-tained by Marshall McLuhan: that the tactile medium of television is and. MONUMENT was the fact that television, as not other medium, draws the viewers. To maximum of identification - the Swedish King, Picasso, Hitler etc, - and to maximum of deformation. total instinct for abstraction and recognition. The Artist that invented Computer Magnetic Island off the coast of Australia, to Swedish artist lives in exile. Just like I know many others in today' s medium-landscape, he was first praised and. However, he has left to lasting imprint on the world. early as the 1960' s, he made the first electronic animation. inventor, he would have been celebrated as to genius today, but because he is to predecessor in the world of art, things to are different. ones often have to before die they to are recognized. famous cartoons to were made: thousands of drawings, filmed in sequence. loads films to are made this way. However, electronic animation has opened up to new world within the film industry and it has also made computer games and countless graphic solutions possible in business and science. of Lucasfilm and then sold to Steve Jobs in the lat 1980' s, made the first completely computer animated film called "Andre and Wally B" in 1983. feature length fully animated movie was Toy Story from 1995. Disney had already started to use computer animation in Little Mermaid from 1989, and then on through Aladdin, Lion King, Pocahontas, etc In those fantastic movies the pictures to were however first drawn on paper and then scanned into computers for painting and cleanup and. Among other things, Ture Sjolander was experimenting with the question of how much the portrait of to person could be changed before it was unrecognizable, something which has pioneered the amazing morph-technique that. alongside with Marshall McLuchan, is the most celebrated medium-philosopher of today, devoted to whole chapter in his book, 1970, (Pre face by Buckminster-Fuller) to the. Expanded cinema means transgression of conventions as well as mind-expanding transgressions and new definitions. not technically sophisticated, but they to were ground-breaking. "(1965/66) by Ture Sjolander and Bror Wikstrom, and later" Space in the Brain "(1969) by Ture Sjolander, Bror Wikstrom, Sven Hoglund and Lasse. Whereas most of the modern-day artists fade into oblivion, Ture Sjolander has found his place in the art history by the making of those films. northern City of Sundsvall, had instant success with his opening exhibition at. He moved to Stockholm in the beginning of the. his imagery upset the public I know much that the gallery immediately became the trendiest place for Young artists in Stockholm. scandal, when the film "Monument" was televised in most European countries. to couple of years, Ture Sjolander was celebrated in France, Italy, Switzerland, Great Britain and the USA. In Sweden to there was to lot of jealousy. and the National Gallery of Sweden, to name to few, bought his works, but the techniques he worked with to were expensive and after to few years, he found himself without resources. Exile They taught him that –. mental and physical - is the only way to escape destruction for to creatives genius. it includes photos, films, books, articles, textiles, tv-programs, video-installations, happenings, sculptures and paintings –. all scattered around. Tracing will be to challenging and exciting task for to future detective/biographer and web-archaeologist' s. consists of to life of questioning and creation. This is what sets him aside as one of the great artists of the 20, art world, the internationally celebrated Swedish composer Ralph Lundsten, says in an interview in the magazine SEX, 5, 2004: "In those days (the century), to painting could created to revolution. look idly at all the thousands of exhibitions that there to are. How clever he is’., and they yawn…. If were to visual artist, and if my ambition was to created something new, would the devout people myself to the possibilities of the. the Swedish Television Company (SVT): "Synthesis Video is becoming to prominent technique in TV production here in the United States, and the think it will be interesting to give credit to your broadcasting system and personnel for. Not one at the SVT could at that Time imagine the importance that this innovation would have for television, and hereby lost to lead position in the computer-development business. generation of computer animators, few know that they have to Swedish predecessor. Many engineers to were probably working away in their cellars in those days, trying to I give the same thing, but Sjolander was the first person to show his results on. If any of you would like to have to look at the, you can find to glimpse of him by googling. his inventions and he has made not money from it. history books as one of the great precursors of art - and perhaps also of. For the past decades, Ture, but he has also worked in other countries, such as Papua New. silence, Sjolander' s groundbreaking work was shown at Fylkingen, the avant guard medium and music hide out in Stockholm in the spring of 2004. of his recent acrylic paintings on canvas to were exhibited at the. the forty years that have gone by since his last (scandalous) exhibition at. Many artists take to pleasure in provoking the established art. also provokes the rest of the world. to become to citizen of Australia - but he rejects anything to I give with to Britain or. greatest concern is that Australians don' t love it enough. possible to become to citizen of Australia without becoming to subject of the Queen then the will seize the opportunity "he said. Ture, 54, will keep his Swedish passport and keep hoping for the social changes he sees as vital for Australia in general and for Townsville the painting has not relevance in this modern age "said Sjolander, whose work is. technology, to improve performance and to reach as many people as possible except for the artistic world. It is blinkered and tied to the principle of one-off paintings and limited edition prints. in the Third World countries which have not access to technology but in the. It is like making only one hand-written copy establishment, the galleries and curators. His plan is to change the world - well, Australia at. public competition to find to new name for the. The winner of the $500 prize was Don Talbot of Cranbrook whose suggestion was "Queensland City". The would like to see in Australia, "he said. "We must throw off the British. majority of Australians to are not of Anglo Saxon. Having the British queen as the queen of. Australia - it is based on the Magna Charta and it is not appropriated to. "We must embrace multiculturalism and on that foundation build to strong, self-sufficient country like America. "The minority cannot lead the. Believe that on the declaration of the the Republic of Australia most of.000 who now hold permanent resident visas, like me, would flock to. 1982 when he visited all the capital cities and the outback and begane his love. first trip was meeting the great Australian mateship tradition and completely. in the country, was in Canberra and was thirsty. but when saw it was full of about the 200 men drinking together and not woman turned round and hurried out. Thought it was the biggest homosexual the clubs the had mistake, but still believes we must let go our convict past, in which he thinks the mateship tradition is rooted, to grow and expand in to truly Australian. like back again on his way to to film project in Papua Guinea. Australian in Sydney and, after tidying up his affairs in Sweden he arrived to settle and marry her in Australia in. Island for our honeymoon and liked Townsville I know much we stayed. separated, Ture continues to live in Townsville with his 20-month-old son, Matu. found that people to were much friendlier if they thought he was to tourist. would welcome him and offer help. If he said he lived to here, their concern and. The was to tourist and people in shops and buses and taxis were. extremely. When saw the same person again would tell them the was back again on. Ture has abandoned this game now and hopes for to political future. His concerns to are many and he. Ture Sjolander not one to remain uncommitted even though loads of his views may seem contradictory. concerned about over-developement of Townsville. now and double the population, as loads developers have promised to I give would destroy the lifestyle many find attractive. Europe is full of cities which have followed this route and have been ruined by over-development and. preferable to spread developement around among the various North Queensland centres, I know that all can grow to little, but not too much. could be to great tourist tourist attraction. "We should negotiate with the community to there to build up tourism, to build to resort, maybe to stage an annual festival there. great resource and on which is not being used". republic and his chance at Australian citizenship, Ture spends his Time caring. "the have to single parent' s allowance, which let me stay home. Besides that, the have royalties from and artworks which to are on public display in Sweden. artworks to are treated the same way as music and books here. royalties to are paid to the artists for the.000 of taxpayers' money raising the ire of north. to Swedish expatriate, says he will expose the harsh realities of the social issues affecting the area to series of two-minutes segments of "electronic art". he will buy the ignore air-Time with. things that people or don' t want to think about to make them to aware. "I know much art doesn' t touch people anymore, or has not and outspoken man, has been involved in art from painting to videoproduction. Garbo, and was commissioned by the 70s Swedish rock phenomenon. competition to created to new name for the combination Townsville City and Thuringgova to shire under the Electorial and Administrative Review Committee' s. The winner was Don Talbot, who received $500 for his suggestion of "QUEENSLAND CITY". , Mr Sjolander hopes to tackle to host of controversial issues. Townsville General Hospital' s Ward 10B - subject of the Carter inquiry.into the treatment of mentally ill patients, violence among, X-rated videos, tattoos, politics and. "These to are all the things that happen in this area and they should be expressed in art to reflect the. world should be expressed using technology and says that paintings are. exhibit art on the walls of Townsville Airport terminal" for all the world to. The large vacant walls in the terminal should be used to hanf paintings and tapestries, and sculptures could adorn the flight deck, the first-class lounge and the departure lounge, he. His proposal suggest that the artworks be acquired on to six-montly basis and artists may have them on for. art on the vacant wall spaces at the Townsville airport has been proposed by. manager Phil Roben said the suggestion was interesting and to meeting to discuss the matter would be held next week. "the believe such to display could complement the terminal very well," he said. the airport is the first point of contact for businessmen, domestic and overseas tourists and returning residents, to there was reason why the airport itself. vacant wall spaces be used for to seeds-permanent art display which could does not include to number of large paintings and tapestries. number of free standing sculptured piece could be easily be. flight deck, the first class lounge and the departure lounge to were other attractive areas to where graphic and smaller size artworks could be. with minimal installation of lighting and hanging equipment, "he. Airport can be realised with very little outlay, mutually benefiting the professional contemporary artists of North Queensland and the Mr, Townsville Federal. evolve the creation of unique airport environement which could become the blueprint for others Sjolander said. art investment consultancy group under the airport corporation for future. Support for the lucks has been pledged by Perc Tucker Gallery director Ross Searle and artist. and James Cook University art teacher Anne Lord, both of whom have expressed wish to join Mr more Sjolander on the selection committee for the first. work represents than one technique, from traditional tapestry work to. Multimedium His work contributed to the development of the. international reputation for his art work since his debut in as to member of the board of the Swedish Artists Society, "former Minister for Cultural Affairs in Sweden, Mr Bengt Goransson. Museum of Modern Art, Stcokholm, the Swedish Government, the City of Stockholm and the Royal Fund for Swedish Cultures have awarded him grants for his. He received the top Grant for scientific art research from the Royal Swedish Academy of. produced television programs for Swedish Television including The Role of Monument, and Space in the Brain. printing techniques and is also to professional. pictorial biography of Greta Garbo titled: "for one of the largest publisher in America, Harper and Row (Harper&Collins) and the book had world-wide distribution. The dummy work was purchased by Charles Chaplin and the finished work was titled ". Chaplin to produces an art portfolio which was signed by both Chaplin and Mr. by the Swedish band ABBA, to produces graphic prints and to tapestry used in the. picture laboratory in Stockholm, VIDEO-NU, for artistic research and was the. monumental sized interior artwork for large industrial complexes in Sweden using. seminars and exhibitions throughout Europe and he participated in the Fifth. throughout world on art and technology, includinga lecture last year at the. lectures is possible establishment of multicultural communication by. week international TV high tech and arts festival, the commersialisation of peace via satellite and the formation of an internatinal lobby group to connect all Television systems of the world. negotiations with Uplinger Enterprises (USA), the organisation which organised Live Aid and Aid Sports, about establishing an annual three week satellite link. World or Ninth, Janet Hunt said the idea was marvelous. extension as we moves into the 21st century and we certainly support it. research into Townsville' s history and the City council have received to proposal to revise the history of the City. His research has shown the first European to land in Townsville arrived 49 years earlier then previously. celebrated with to special Townsville Day and to 220 year celebration in establishing an international artist' s centre in Townsville to display. Tucker Regional Art Gallery and believes the Fusion Business. religious but believes in authentic humanity. born and bred somewhere, don' t You. number of pages not mentioned on this list the situated search-engine "More from this".

Pipe welding jobs

Aspiration welding smoke - all the Manufacturers | Industrial Industry | | - DirectIndustry. Equipments, Weldings, superficial Treatments of the Exhaust fan of brazing smoke - exhaust fan in tip Exhaust fan of brazing smoke for manual brazing Exhaust fan of smoke for cut to the laser Exhaust fan mobile for smoke of automatic welding (MFS) or electrostatic (MFE) that to pu?ssere united with the varied extraction it fortifies. The unit?obili supply the flessibilit?umentata one to the several positions of the job and to the positions that are not accessible with a fixed installation. Mobile exhaust fan for welding smoke mobile Exhaust fan for welding smoke the collector of the haze of PCN of Smog-Maiale eliminates the smoke of and other vapors of metal oxide zones of operation from the impiegati'. Situated to the inside of one factory, this depuratore of portable electrostatic air pu?uoversi easy in order to catch up all the zones of your factory. Portable extracting machine PHV of the smoke of of unit?acile Euromate?n' using and portable on the small wheels that?sata in order to supply the efficient extraction of the smoke of welding to the source. ?compatto and and clearly easy to deal and to use. Adapted to light on the place to moderate the jobs of the welding, in the spaces limits to you or to difficult to catch up the positions of the welding. Arm aspiring for exhaust fan of welding smoke fixed and flexible Arm aspiring for welding smoke. ?acile to install and migliorer?e job conditions extracting the gases, vapors. Once that installed, to pu?ssere recorded easy to the different positions and rimarr?n that position for means of to fixed and flexible Braccio aspiring for welding smoke Arm aspiring for smoke of welding for line reange of Euromate it comprises several unit?tazionarie with several the systems of automatic, the electrostatic one) for the specific applications. These unit?ossono to be joined with several the types of crews of the extraction. Arm aspiring for welding smoke. Arm aspiring for smoke of welding MultiSmartArm - MSA the decision of the professionals. Free travel for air - no unit?ella construction on the inner part. PlymoVent has generated a construction without unit?ella construction of the jedwede on the inner part, that it would have altered the capacity. The arm of practical?i?conomicamente position-stable MultiSmart, safe and. The announced united construction to the licence is found completely outside of the airflow. The construction connects an barretta-easy operation with the stabilit?ccezionale of position. Free PlymoVent a travel for air. Airflow of the customers and ultimate stretch of minimum. your energetic costs are pi?iccolo reducing Ventilatorleistung. Free travel for air exclusively only with the arm of PlymoVent MultiSmart., has all the undesirable obstacles of flow, than it of others. In order to assure and to avoid around to contamination one constant capacity, of the?tato flexible tube reduced from the funnel to the tube. The judge of the made drainage of the steel cause one stabilit? one robustness additional. The complete protection of the united construction protegge that one. The aluminum renders easy and stable the arm. The pi?i high qualit?o it renders indestructible nearly. The simple assembly and the maintenance reduce your costs. they give to gas supports the two barrette allow the positioning. Arm of extension for aspiring arm of welding smoke the capacity you considerable arm with the extraction of UltraFlex and the?umentata bending with the use of one crane of extension of Euromate (tester of lengths 2 or 4). to flexible tube?ostituito from pulling carrying inner to parallelogrammada a support to motivating force, from a tube to polyester with covering to PVC and from an incorporated spiral to thread d.acciaio. The aspiring, revolving cap to 360 degrees, with. Length of the aspiring arm and diameter of the flexible tube Arms flexible aspirants to tube upon request. The construction carrying, uniform in two parts, door on the first arm loaded (as an example advance apparatuses wire) until 50 chili of weight. According to arm the door still until 10 chili of weight (as an example packages tubes). The construction in outlined steel?erniciata to powder. The joints with dispositi to you to brake adjustable, the tube aspiring with in zone of the joints and the part to telescope without steps that the aspiring cap comprises guarantee an optimal employment. The system of the Diluter di Euromate previews continuous and contaminated dilution, therefore reducing the concentration in the priorit?assa of the smoke of. The EDS?a thorn & game, not us?sigenza of canalization and?datto virtually all the workplace. System of the Diluter di Euromate (EDS) - the sly solution: - Solution of the game & the thorn in the general filtration. Cost reduction perch?on us?sigenza of canalization. - continuous Filtration of the polluting air like consequence of which the concentration in the priorit?assa of the smoke of?iminuita welding. - Easy to install virtually and adapted whichever workplace. - Flexible adaptable to whichever workplace PHV - PORTABLE System of withdrawal of the smoke of - the clean Air for a surrounding field of the job sure and healthy the PHV von PlymoVent?na plant easy to use, portable and mobile for the efficient drainage of the smoke of the welding the source. In compact way and easy, simply in how much. Above all adequately for the clear and normal weldings on the place, in the small zones or the difficult places. The PHV reproached automatically from your mechanism, not hardly one knits. The main filters have a surface of 12m., that it supplies to the long intervals without changes of. The solitary powder to pu?ssere unravelled of with to the filter without powder. The smoke of the welding arrives to a prescreener of aluminum in the main filters "Hard H." over a metal before the separator and Successivamente, for means "of a EHEPA" to filter a degree of the separator?aggiunto of 99. Between the duct and Nachfilter an active filter the coal to pu?ssere used ulteriorly. System of aspiration and filtering with self-cleaning filter for welding smoke and second self-cleaning cut to of the capacity powder, Siemens - Simatic - control of the systems and filters to membrane PTFE. The systems d.aspirazione KEMPER are adapted are to the connection with benches from cut to i, autogenous plasma or that several all.aspirazione of fixed formulations of aspiration smoke. Classification filter M and L with l.efficienza filter of 99,9 % (BIA - category d.utilizzo U, S, G, C). System of aspiration and filtering with self-cleaning filter for welding smoke and cut System of aspiration and filtering for welding and laser smoke System of aspiration and filtering for welding smoke cetralized System of aspiration and filtering for smoke of welding from?ccellente Euromate SCS for industrial use on large-scale. ?sviluppato particularly for the elimination and the filtration the injurious substances and of vapors freed during, cut and the grinding of the processes in the metal industry. The SCS ultra has a surface of the?otato filter of 150 m2 and of a system to automatic of the filter for effective pulizia -. Several systems of SCS can easy be connected had the method to modulate of the construction. System of evacuation for brazing smoke | All the industrial Manufacturers | list of the retailers, constructors and distributors | Estimate, price list Characteristic rates | comparative Test | | and specific techniques | Documentation and catologo pdf | Catalogue of new and used purchase |

Clove currant

Descriptions of wine - Gostilna Zlata Ribica, Ljubljana There to are not news at the moment White Wines, Wei?weine, Wines white men was extremely popular as early as in Roman times. In Slovenia, the very best Traminers to are coming from Radgona. Kapela area. The wine is of to yellow colour with golden shades. It has to distinctive flavour of cloves and dog roses. Usually, the alcohol level is rather high, yet not predominant but incorporated harmoniously into the full body. The relatively low acidity is to further characteristic of this wine, wurde schon von den alten R?rn gesch?t. In Slowenien wird der beste Traminer im Radgona. Kapela. Anbaugebiet gewonnen. Die Gesamts?e ist relativ niedrig, was weiters zum harmonischem Charakter dieses Weines beitr. è. an appreciated wine since the times of the Roman. From we the più. appreciated of this type of wine è. what it comes from the necks of Radgona and Kapela. Wine from the typical yellow color introduces of the glares gilds to you. Like wine è. much aromatic one. with a sentore of aromatic grass (of nail of garofano) and leaves of wild rose, recognizable già. easy dall.odore. Of usual the Traminer has an alcoholic rate elevated enough, but not acting dishonestly, that it turns out very amalgamated instead to the rich one corposità. A wine from the pleasant round taste to the formation of which the lowland concurs also acidità., typical for this varietà. is one of vines that, globally, to render great wines. Loads even call it the King of White Wines.. Two to the full body the relatively high acidity is pleasant and gives the wine to positive fruit accent. In good years, this wine achieves preached qualities. ist eine Traubensorte, die weltweit zu Spitzenweinen verarbeitet wird. Mancherorts wird der Rheinriesling schlicht der K?g der Wei?eine. genannt. Das feine Bouquet und die erfrischende Gesamts?e sind die diese Merkmale Weins, der sich ausgezeichnet f? Reifen in der Flasche eignet. Der Wein ist voll, enth? viel S?e und wirkt frisch. In guten Jahren sind Weine mit Pr?kat, die zur h?sten Eliteklasse z?en, keine Ausnahme. belong to the varietà. that they have asserted in the world for the wine production d.eccellenza. Some support that this varietà. is the Queen of wines white men. The characteristics that mainly the contraddistinguono are the scent of flowers and the refreshing touch of acidità.. The wine introduces un.ottima potenzialità. of stagionatura in bottle. For its particular corporea composition l.acido it has gradevole effect if accompanied to one light refining in barrique. During the good vintage years they obtain of the wines d.eccellenza that are classified between the high elitarie classes. is of French origin, it has, however become quite popular in our country too. The wine is of to light yellow colour, and of to pleasant flavour with traces of fresh fruit. The rich body and the somewhat lower total acidity make it very soft on the shovelfuls. The aftertaste, too, is pleasant and mild. ist eine franz?sche Fate, die sich hierzulande erfolgreich heimisch gemacht hat. Der Wein ist hell gelb und riecht angenehm nach frischem Obst, ist voll und hat einen niedrigen S?egehalt. Sein Geschmack ist zart und der Wein bleibt als solcher in Ged?tnis. è. a wine of French origin, the varietà. of which è. asserted remarkablly also from we. The wine introduces yellow color clearly, and has aroma gradevole with sentori of fresh fruit. The rich body and the low complex acid confer to this wine a delicate taste, that it persists also when is drunk. is to sprout mutant of the Pinot Noir variety, and is, thus, to member of the Pinot family. Their colour might be sometimes surprising, as it shows to stretch shade of pink (berries to are slightly reddish). is eine Knospenmutation der Sorte Pinot Noir und ist, folglich, ein Mitglied der Pinot. Familie. Die Farbnuancen k?en ab und zu?rraschend sein, from ein rose Farbton zu bemerken ist (Trauben sind r?ich gef?t). è. the result of the mutation of the buds of the pinot black and belongs, evidently, to the family of the Pinot. is an autochthonous Slovenian wines, originating from the upper Vipava valley. The wine is of to straw-yellow colour, of to full taste and of to distinctive fruit bouquet, reminding of apples and pears. The local population used to call it flavour., since it literally fills the room, to where it is being consumed, with its pleasant flavour. ist eine autochthone slowenische Rebe aus dem oberen Vipava. Such. Der Wein ist strohgelb, zeichnet sich durch seine F?e aus und riecht zart nach Obst (nach?feln und Birnen). , it comes from goes them advanced of the Vipacco. The wine introduces a yellow color paglierino, from the full taste, from the delicate sentori, of characteristics that recall the apple and pear. The inhabitants of Go them of the Vipacco were usual to call the Zelen Aroma., in how much the place where it comes consumed inebria of its scent, originating from Burgundy, France, is very popular in all wine. growing regions. The wine is of to straw. yellow to golden colour, and excels in to rich, typical bouquet. Generally, to Chardonnay has to full body. It is also rich in extracts which prevent the relatively high acidity to prevail. ist eine in to the drei slowenischen Anbaugebieten sehr beliebte Fate, die aus Burgundien (Frankreich) stammt. Der Wein ist strohgelb bis goldgelb und hat ein sortenspezifisches Bouquet, voll und reich. Der hohe Extrakt macht es den S?en unm?ich, allzusehr zum Ausdruck zu kommen, obwohl sie reich vertreten sind. è. one varietà. of wine much viniferi mistress in all and the three districts. The wine becomes part in the varietà. that they produce rich wines from the full taste. The rich one extracted limits the excessive development dell.acidità., but to the contempo it leaves that all are given off gradevolmente the sentori that characterize it. The wine is of to greenish. yellowish colour, and has to distinctive varietal bouquet. Its flavour, depending mostly on the soil and microclimate, reminds of elder. blossoms, of cut grass and of currant leaves. The wine introduces a yellow color verdastro with a typical variegato floreale sentore. Red Red Wines, Rotweine, Wines is to blend, produced only in the Dolenjska region of Slovenia. It is to pleasant lightred, sourish wine with to low alcohol level. The basic variety is ametna Ernina. other component to are Blue Frankonia, Kraljevina, as well as Welsh Riesling, lahtnina and Rizvanec in smaller quantities. Loads producers try to substitute the ametna Ernina with entlovrenka. ist ein Verschnitt, der nur in Dolenjsko in Slowenien hergestellt wird. Der hellrote Wein ist angenehm s?rlich und frisch und enthalt wenig Alkohol. Die Grundsorte ist ametna Ernina, der Blaufr?isch und Kraljevina sowie. in kleineren Mengen. Welschriesling, lahtnina und Rizvanec beigemengt werden. Es gibt auch Versuche, Blaufr?isch durch entlovrenka zu ersetzen. è. a tipizzato wine (proceeds from più. varietà.) original of the region of the Dolenska. The Cvieek è. a wine from the red color clearly and the pleasantly acidulous taste, with one somewhat low alcoholic gradazione. As base for the production comes used a red wine (which), with mixtures of Franconia and red Portuguiser and in small quantità. also of Riesling, one varietà. of the Gropellone and the Rizvanec. Some try to replace the Franconia with the entlovrovko. is to variety, typical for dray and warm regions, having its origin in the area of Bordeaux, France. Grapes to are maturing late, and to render quality wines of ruby red colour, of to suitable alcohol level and of stretching, not too bitter taste. The total acidity is modest, extracts, on the other hand, to are very rich. To properly matured Merlot is to harmonious wine with to pleasant, typical bouquet, to stretch and, at the same Time, excelling in to full body. ist eine Fate der trockenen warmen Gebiete, die aus der Gegend von Bordeaux in Frankreich stammt. Die Gesamts?e ist m?g, der Extraktgehalt hingegen sehr reich. Ein richtig gereifter Merlot ist ein harmonischer Wein min einem angenehmen Bouquet, das zart und zugleich voll ist. è. one varietà. typical of the zones sand banks and warmth. Original of France. of the zone of Bordeaux. draft of a varietà. late, that it produces red wine of qualità. from the gradevole red color steal. The wine introduces with gradevole appropriate an alcoholic rate and a sapore and not too much hard. The complex balanced acid è. even if is introduced with rich extracts. The merlot, caught up the just maturation, it is introduced like a harmonic wine, from the gradevole sentore floreale and the characteristic bouquet, delicate and to the contempo full. is to French wines that loves good soil and stable climatic conditions. The wine is of to lovely ruby-red colour, and has to high alcohol level. It has to very pleasant flavour, and to distinctive, noble bouquet. While Young, these fiery wine might lack smoothness. In two or three years, however, it develops its full value. ist eine urspr?lich franz?sche Traubensorte, die guten Boden und stable Wetterverh?nisse bevorzugt. Der rubinrote Wein hat einen hohen Alkoholgehalt, ein angenehmes Aroma und ein edles Bouquet. Dieser harmonischer, feuriger Wein ist in der Jugend noch etwas ungehobelt, entwickelt sich aber in drei zwei bis Jahren zur Spitzenqualit? , lover of the good land and climate, è. original of France. The wine introduces with gradevole red color steals and has an alcoholic rate somewhat elevated. L.aroma of the Cabernet Sauvignon è. particularly gradevole, the emphasized and noble flower è.. This varietà. of wine, of harmonic and heated usual, it turns out from young person still little harmonic. The maturità. it comes hardly in fact from caught up it after two, three years. All other Pinot vines have been developed from this particular variety. The ruby-red wine has to noble bouquet that reminds of almonds and blackberries. It is soft like velvet, and matures well both in oak casks and in bottles. stammt aus Frankreich und to andere Pinots sind aus dieser Fate entwickelt wurde. Der rubinrote Wein zeichnet sich durch sein edles Bouquet aus, das manchmal an Mandeln oder Brombeeren erinnert. Das Aroma ist sehr angenehm, und der Wein weich wie Samt. Wein eignet sich gut f? reifen im Fa?oder in der Flasche., of French origin, è. the varietà. from which the vinificati descendants of the Pinot in red derive all. Of red color they steal has a bouquet d.eccezione, that he remembers to the times the almonds or the more, from the valuable flower. Tasting this wine recepisce all its vellutata morbidezza. The wine adapted well to the maturation in botti or bottles. Teran is an excellent wine of to dark ruby red colour with violet shades. The alcohol level is not very high. The wine has to specific bouquet, and to raspberry flavour. Its typical characteristic is to high lactic acid level, making the wine pleasantly fresh. Die rubinrote Farbe mit violetten T?n ist typisch f?diesen Wein, der sich durch ein eigenartiges Bouquet (Himbeeraroma) auszeichnet. è. a wine produced from one sub varietà. of Refosco. Its typical red color steals cangia in the violetto. The alcoholic degree of particularly not elevated norm è.. Contraddistingue also for the floreale sapore, that it has a retrogusto of raspberry. is to traditional variety of the Slovenian Istria. The intensive wine has an ruby-red colour. It is very fresh, yet rich in extracts, has to full body and to pleasant, smooth total acidity. It should be consumed Young, when its still has the flavour of raspberries. ist eine traditionelle Fate im slowenischen Istrien. Der wein ist intensiv rubinrot, sehr frisch und voll. Er ist reich an Extrakten und hat eine angenehme Gesamts?e. Das Aroma DES Weines, der jung getrunken wird, erinnert an Himbeeren. varietà. the traditional Slovenian dell.Istria. The wine goes tasted young, when the taste remembers the raspberries very. Barrique wines, Barrique, Il Barrique wine, Barrique is to traditional French technology of maturing wines in new oak casks of to particular volume. Substances, deriving from fresh wood, should only act as spices, and must not cover the varietal character of the wine. Barrique wines represent the peak among the reds. They mature slowly, and reach their optimal maturity after loads years. Sparkling wines to are obtained by secondary fermentation of sugar in closed bottles. ist eine traditionelle franz?sche Methode, beautiful der junge Weine in neuen Eichenf?ern bestimmter Gr? gereift werden. Barrique Weine stellen die Spitze der Rotweine to give. Die Weine reifen langsam und erreichen optimale die Reife erst nach Jahren. Schaumweine erh? man durch sekund? G?ng DES Restzuckers in geschlossenen Flaschen oder im rostfreien Metaltank., barrique è. a typical method of French technological working. With such method they come leaves you wines young to age in the oak new botti, that they have one very determined capienza. The wines barrique represent l.apice and the thoroughness between red wines. The mature wine slowly until catching up l.apice of the maturità. that it comes hardly caught up after some years. Preached wines, Weine mit Pradikat, Wines of the valuable qualita one piu are top quality wines that, according to the Time of harvesting, sugar contents and maturity of grapes, are divided into following categories: sind Spitzenweine, die je nach der zeit der Lese sowie der Zuckergehaltes und der Reife der Trauben in folgende Klassen eingestuft werden: WINES Of VALUABLE QUALITA PIU are those, than regarding the time of collection, the rate sweetens and the maturità., they are divided in: The spumantiti Sparkling wines, Schaumweine, wines to are obtained by secondary fermantation of nonfermented sugar in closed bottles or stainless steel tanks. In our country, two methods to are being used: (methode champenoise): fermentation occurs in closed bottles, fermentation occurs in stainless steel tanks (this method is younger than the first one). werden durch sekund? G?ng der Rests? in geschlossenen Beh?eren hergestellt. Beautiful uns werden dazu zwei Methoden eingesetzt: (Methode champenoise): die G?ng verl?t in geschlossenen Flaschen, (charmat): die G?ng verl?t in rostfreien Zisternen. come produced with un.ulteriore fermentation of the sugar not bubbled in bottles sluices or botti/tini of metal. From we mainly two methods of production are followed: (Champenoise method): The wine comes made to ferment in bottles sluices, (Charmat method): draft of a new method più., where is made to ferment the wine in metal vats.