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BOSE® - Audio controller T1 ToneMatch?: Characteristics Highly sophisticated, it adapts to your instrument and answers all your waitings. This new multichannel controller has ToneMatch presettings? exclusive, a zEQ and a series of effects of the studio type. To use with the L1 systems? model I and model II. To buy this product, please choose one. The powerful audio controller multichannel ToneMatch? is conceived for a use with the systems L1® model I and model II. Exclusive adjustments optimize the L1® system to correspond to the natural sound envisaged of instruments and specific vocal microphones. Presettings are organized in the form of easily accessible bases and they can be independently affected with each channel. Continuous and free updates by the means of connection USB between your computer and the controller audio ToneMatch?. See the list of current presettings. The exclusive zEQ automatically regulates the beach of orders of tonality to adapt it to your voice or your instrument, which facilitates the adjustment of the sound. The zEQ redefines correctly the beaches of low, average and high frequencies of the specified sources. The parametric equalizer with single band is centered on the frequency specified for each independent channel. It is an invaluable tool of refashioning of the problematic frequencies in certain rooms. You can choose among five types of reverb: small, average large, "punt" and cave. You can quickly assign a general type of reverb to the channels of your choice and manage the time of descent, the level of mixing and the clearness of each channel. You can choose an analogical, numerical time or of band. For example, you can select a time of band for the voice on channel 1 and one analogical time for the guitar on channel 2. You can allot ten different effects of modulation: three types of chorus, two types of flanger, four types of phaser and a tremor effect of choice. A discrete control of the parameters specified for each channel allows. Allows to apply and adjust the treatment of its dynamics to the various channels. You can choose among three various types of compression, as well as a limiting device, a dessibilor, a kick gate and a noise gate. Includes five preset sequences BOSE®, five My shared sequences and five Sequences which you can allot to other owners of L1® systems. The sequences make it possible to simplify and reduce the time of installation when you use a system L1® several times in various rooms. Allows to regulate the instruments easily. Comprise an intuitive presentation with an easily readable text for the modes and adjustments. Is equipped with a clear and circular interface. Send its pre-gradateur dryness or post-gradator of the channels to the auxiliary exit for a connection on other L1® systems or apparatuses of recording. Independent orders of level ensure an optimal exit of signal. Volume of the channels, cut its and cut its FX (1-4/5) Adjusts volume and cuts the sound of the various channels. Use the ordering of silence FX to cut the sound of all the effects on the selected channels. Adjust the general volume of the principal exit. Apply a food of +48 V to the input channels 1 - 3 to feed from the microphones given. A simple numerical cable ensures audio connection and supplies the audio controller ToneMatch? starting from the amplifying base. You can fix the audio controller ToneMatch firmly? on the enclosure L1® model I or model II with this elegant personalized support. The orders and the case at the time of storage protect and transport. Analogical channels provided with combined connectors accepting the audio cables XLR balanced or jack 6,35 mm not balanced. Analogical channels being used for stereo connections to the keyboards, tables of mixing and computers. These entries accept the cable jack 6,35 mm balanced. The ordering of modification affects the two channels. Orders of sensitivity and LED of signal/saturation (1-4/5) Make it possible to adjust the levels of the input signals. The LED verte/jaune/rouge indicate the state of the signal and make it possible to define the levels of profit correctly. For the connection of the dry output signals of the channels on the amplifier or recording equipment other by means of the cable jack 6,35 mm balanced. To use with the auxiliary mode in order to create a submix independent of channels 1 - 4/5 to forward to other amplifiers or worms of the recording equipment. Analogical exit allowing connection on other L1® systems, amplifiers or recording equipment by means of the cable jack 6,35 mm balanced. To select among the adjustments of principal volume former or posterior. Connects the digital display of the controller to the amplifying base L1® model II by means of the numerical cable ToneMatch? provided. Only one cable also supplies the Permet controller to update the audio controller ToneMatch? and to safeguard your sequences by means of connection USB to your computer. Additional options of the customer service.